| BIOGRAPHY
William
Berry
William Berry, winner of the 2003 Artist Trust/Washington State Arts Commission Fellowship for music, is a musician whose career encompasses every aspect of the field. He has found success as a performer, composer, arranger, director, producer, writer, and educator. Berry is a member of ASCAP and the American Music Center, the New York advocacy group for composers, and his compositions and arrangements have been commissioned and performed by professional ensembles throughout the country. KSPS Public Television is currently producing an edition of Northwest Profiles which will focus on Berry and his music.
Berry is founder and music director of Clarion, the 13-member brass choir, which has been performing since 1992. In 2000, Clarion recorded a popular compact disc entirely comprised of Berry’s Christmas and holiday arrangements, entitled Nutcracker Suite Dreams, and has recently released a second recording, Angels, a large-scale work for 2 choruses, brass, percussion, and organ. In 2005, Berry produced a third Clarion disc, A Partridge in a Pear Tree, which was a sequel to NSD. In 2006 he developed a flash animation electronic Christmas card featuring Clarion which attained near-instantaneous world-wide popularity over the internet.
American Carols, a commission by the Cathedral and the Arts Association for a performance by the Spokane Area Children’s Chorus and the Spokane Youth Orchestra in December of 2003 was also released as a professionally produced CD in 2004. American Carols presents definitive settings of 13 obscure but wonderful songs from the American folk tradition from before 1865.
Chasing the Light was written as a commission for a new orchestral work to celebrate the opening concert of the Walla Walla Symphony‘s Centennial Season in October 2006. Out of the Sky, a commission for carillon, was premiered in the same month, and December 2006 saw the first performances of a commission from the Cathedral and the Arts Association for the Spokane Area Children’s Chorus, the Eastern Washington University Chamber Choir and the Spokane Youth Orchestra. Songs of Peace is a four-movement work for two choruses and full orchestra on texts written by the young musicians in a symposium and assembled by Berry for the project.
Cycling Music, a concerto for trumpet with brass, commissioned by the Eastern Washington University Music Department and funded by an Enabling Creativity Grant, was premiered in March of 2004 by world-famous trumpeter Allen Vizzutti accompanied by Clarion Brass as the culmination of a two day symposium called Brassology. A commission from Mozart on a Summer’s Eve for a new woodwind nonet to celebrate the 100th anniversary of Manito Park in Spokane was premiered at that pair of concerts in July of 2004. In 2005 he completed scoring a musical theater work, Return of the Great Round, on texts by Eleanor Limmer, and was commissioned by the Spokane British Brass Band for a new work commemorating their tenth anniversary, called Spokane’s River, which was premiered in October 2005.
Berry is also the instigator and music director of an experimental group, String Jam, an electric string orchestra which erases musical boundaries by combining swing, rock, blues, jazz, fiddling, and other popular styles with dazzling virtuosity.
In the past several years, Berry‘s compositions and arrangements have reached an increasingly wide audience. In addition to writing for his own groups, his music has been recently commissioned and performed by many quality organizations.
Commissioning organizations include:
- Canadian Brass
- Westminster Chamber Orchestra
- Royal Fireworks Festival
- Walla Walla Symphony
- Spokane Symphony
- Enabling Creativity Grant from Wendal and Virginia Jones
- Mozart on a Summer’s Eve/Connoisseur Concerts
- Tim Behrens of Patrick McManus Comedies
- Ex Lingua Mortem
- Modern Brass Quintet of New York
- Puget Brass Sound British Brass Band
- Brass Band Northwest
- Spokane British Brass Band
- The Cathedral and the Arts Association
- Archdiocese of Spokane for the Year 2000 Jubilee Mass
- Air Force Band of the Northwest
- Gonzaga University Wind Ensemble
- Eastern Washington University
Performances have been given by all of the commissioning organizations; additionally, there have been performances by many ensembles, including the following:
- New York Philharmonic [with the Canadian Brass]
- Philadelphia Orchestra [with the Canadian Brass]
- Los Angeles Philharmonic
- Seattle Symphony
- Fresno Philharmonic
- Baton Rouge Symphony
- Walla Walla Symphony
- Allen Vizzutti with Clarion Brass
- Zephyr Brass Choir; Atlanta
- Altius Brass; Calgary
- Bay Brass; San Francisco
- Indianapolis Chamber Brass
- Whitworth College Wind Ensemble
- Heritage of America Band at Langley Air Force Base [performance and recording]
Berry has been a member of the Spokane Symphony Orchestra since 1988 and principal trumpet for the Walla Walla Symphony Orchestra since 1997. He has appeared as a soloist with the Spokane Symphony, the Walla Walla Symphony, the Northwest Bach Festival, the Mid-Columbia Symphony, Gonzaga University’s Orchestra and Wind Ensemble, the Spokane Area Children’s Chorus on their 1998 British Isles Tour, and at the 1995 Sacramento Jazz Jubilee, the world’s largest traditional jazz festival. Berry performs regularly with Spokane’s local groups ranging from Allegro, a baroque and classical period music group, to Zephyr, an ensemble specializing in 20th century chamber music.
Berry regularly appeared as a soloist with the Air National Guard Band of the Northwest as a member from 1993 to 2006, including local performances as well as national and international tours. For six years he served as the leader of that unit’s Dixieland Band, and finished his service as Assistant Conductor for the Band of the Northwest’s Concert Band and leader of the Brass Quintet. As a member of the Seattle-based Emerald City Brass Quintet from 1983 to 1991, he performed on numerous concert series, television and radio broadcasts, and other venues from Alaska to Montana, including regular guest appearances at the Olympic Music Festival, and as finalist in the Concert Artist Guild Competition in New York. From 1975 to 1978, Berry was a member of the First U.S. Army Band, stationed at Fort Meade, Maryland, which gave hundreds of performances per year up and down the East Coast.
Since 1992, Berry has written about music, reviewing classical and popular music and other performances for the Spokane Spokesman-Review. He has also served as a guest lecturer for Spokane area colleges and universities, given pre-concert talks for the Spokane Symphony, and has provided program notes for the Festival at Sandpoint.
Beginning in 2006, Berry has been an adjunct faculty member of Walla Walla’s Whitman College and Walla Walla College, where he is a trumpet instructor. Since 2004 he has been brass chamber coach and trumpet instructor at the Midsummer Musical Retreat, the nation’s most comprehensive camp for adult amateur musicians. He also teaches trumpet privately and has coached the brass, wind, and string sections of various high school and college ensembles, including the Spokane Youth Symphony and weekly sessions with the Lewis & Clark High School trumpets since 1997. Berry has authored and performed in many educational programs, including the Shoestring 4-tet program for the Spokane Symphony. He was commissioned to create The SymFunny Paper, a music education newspaper for fifth-graders, and from 1996 to 2000 compiled and wrote these education materials. During the same time period, Berry coordinated the SSO’s Musical Fun Fair, creating original hands-on activities for children. In the final year before the SSO discontinued these educational programs, his efforts helped win the Gold Award for the Spokane Symphony Associates from the National Association of Symphony Volunteers. He has also coordinated the educational programs for the Northwest Bach Festival.
Berry received his Bachelor of Music Performance in Trumpet in 1982 from Indiana University, where he studied with Louis Davidson, Allan Dean and Charles Gorham.
|
About A Partridge in a Pear Tree: “This is a superb disc to be enjoyed by all, especially during the Christmas holiday.”
|
John Dressler The Horn Call
October 2006 |
“It
was the kind of foggy day that caused Santa to call
on the services of Rudolph. But even that reindeer‘s
nose could not have outshone the brightness of Clarion
Brass‘s Candlelight Christmas Concert at St. John‘s
Cathedral on Sunday afternoon. Just when many of us
have reached the Scroogelike point in the season where
we would not like to hear another Christmas carol, composer-arranger
William Berry produced a program of Christmas music
that made us old grouches know how wrong we are. Berry
put together a selection of new Christmas compositions
and new arrangements of old songs (some of them very
old) that showed the vitality, tenderness and humor
of Christmas music. . . . Berry‘s arrangements
sport a catchy, often quirky, rhythmic gait, textures
that make the best of the richness of a mixed brass
ensemble, and harmonies that give the tune just enough
of a twist to make even the hardened listener smile.” |
-
Travis Rivers
Spokane Spokesman-Review, 2003 |
“William
Berry . . . and assembled musical forces have created
a sweeping 36-minute, seven-movement piece evoking the
mystery and grandeur of “angelos” (Greek
for messengers), through an original non-religious text
also written by Berry. `Angels’ is a CD that every
local classical music fan - or, more important, those
who aren’t yet - should own.” |
-
Gary Laing
Local Planet, 2003 |
About
Nutcracker Suite Dreams: “Over the years,
I’ve heard quite a few collections like this -
Christmas music in original arrangements for brass -
including some by top groups like London Brass. This
is the first one that I thoroughly enjoyed and can heartily
recommend.” |
-
American Record Guide - Kilpatrick
November/December 2002 |
“William
Berry arranged two Bernstein songs and the Gershwins’
wonderful ‘Blah, Blah, Blah’ for the occasion.
The arrangements and the performances were a pure delight.
Next to them, the Morton Gould arrangements of classics
‘Star Dust’ and ‘Stormy Weather’
seemed to come from another, rather alien, era like
music for slurping champagne and watching televised
soap commercials.” |
-
[Westminster Chamber Orchestra; Heather Peterson, mezzo-soprano]
Ann Le Bar
Spokane Spokesman-Review, 2002 |
“I’m
happily familiar with Clarion’s Christmas CD,
‘Nutcracker Suite Dreams,’ but I had never
seen this 13-member ensemble perform live. I was prepared
to be wowed by music director William Berry’s
arrangements and by the level of the performing talent,
and I was. . . Still, the highlights for me were Clarion’s
versions of classic Christmas carols, including their
own version of ‘Tomorrow Shall Be My Dancing Day’
(the ‘loud version,’ Berry joked). Berry
wrote eight new arrangements for this concert, including
the stunning finale piece, ‘Do You Hear What I
Hear?’ This familiar carol begins low and ominously,
and then breaks out into sharp, surprising fanfares,
with snatches of the familiar tune breaking through
occasionally. The piece builds dramatically to a joyous
and cathartic statement of the melody, as if played
by the hosts of Jericho.” |
-
Jim Kershner
Spokane Spokesman-Review, 2001 |
“Here’s
one enthusiastic vote in favor of electrified orchestras,
energized dancers and the sparks generated between the
two. . . It was a whirl of motion and music - and what
music. William Berry founded String Jam and wrote or
arranged all of the music on the program except for
two prerecorded pieces. . . The music was helped by
the visual whirlwind on stage; the dance was energized
by this outstanding new music. . . This is one experiment
that worked.” |
-
Jim Kershner
Spokane Spokesman-Review, 2000 |
“’Nutcracker
Suite Dreams’ and ‘Festival of Lights -
A Collection for Chanukah’ show Berry as arranger
and the talented Clarion musicians all at their best
- virtuosic, musically fascinating and wildly fun.” |
-
Ann Le Bar
Spokane Spokesman-Review, 2000 |
“The
musical highlight of the show (Spokane Symphony Holiday
Pops program) was an unusual arrangement of “Pat-a-Pan,”
which sounded as if it could have come directly from
a holiday feast in the court of Henry the Eighth. This
outstanding arrangement was done by the symphony’s
own William Berry, a trumpeter.” |
- Jim Kershner
Spokane Spokesman-Review, 1996 |
“Joseph
Haydn’s Trumpet Concerto is a personal favorite.
I was thrilled to hear it played so well - and live
- with the artistry of trumpet soloist William Berry.”
|
- Anne L. Charnley
Walla Walla Union-Bulletin, 1994 |
“Clarion
boasts excellent soloists and, in its organizer and
director William Berry, a fine arranger too.”
|
- Travis Rivers
Spokane Spokesman-Review, 1994 |
|